Kenneth Morris Lee
Toned Monochrome Images with Photoshop

There are several ways to make toned monochrome images with Photoshop. Here we describe the Color Fill and Photo Filter methods. Both these methods are quick, non-destructive, and support the 16 bit color space.


Attention GIMP users: the Colorize tool does the same thing. GIMP is free and feature-rich. For instructions, click here.
Before Starting: Convert to 16-Bit

For best results and to avoid banding, convert the image to 16 bit.

The Color Fill Layer Method

Step 1 - Make sure your image is in RGB Color mode. On the main menu, choose Image > Mode > RGB Color.

Step 2- Create a Fill Layer: on the main menu, choose Layer > New Fill Layer > Solid Color. Choose "Color" as the Mode, and leave the Opacity at 100%. (You can change that later). Click on the OK button.

Photoshop Fill Layer Window

Step 3 - The Photoshop Color Picker window appears. Pick a color.

Photoshop Color Picker

In the Color Picker, you can choose a color on the left, and adjust the palette of colors with the slider, just to the right of the color window.

Now click on the OK button.

All Done!


Grayscale Image



Image toned with warm Color Fill layer

The Photo Filter Method

Step 1 - Make sure your image is in RGB Color mode. On the main menu, choose Image > Mode > RGB Color.

Step 2 - Create a Photo Filter Layer: on the main menu, choose Layer > New Adjustment Layer > Photo Filter. Leave "Normal" as the Mode, and leave the Opacity at 100%. (You can change that later). Click on the OK button.

Photoshop Fill Layer Window

Step 3 - A new layer is created and its properties are displayed. Choose a Filter or Specify a Color

Photoshop Color Picker   Photoshop Color Picker

If you click on the Filter drop-down (red arrow), you can choose from a list of standard colors and filters. If you select Color and double-click on the color patch (yellow arrow), Photoshop will present the Color Picker control, which lets you specify any color you like.

After choosing a color, you can move the Density slider (green arrow) to further adjust the degree of toning.

Be sure to leave the option Preserve Luminosity checked so that grayscale values are replaced by tones of matching brightness.

All Done!


Grayscale Image



Image toned with blue Photo Filter

Further Refinements

If you chose 100% as the Opacity for this layer, the color may be too saturated. You can adjust the Opacity % of the layer to taste.

New Fill Layer

If you like the way it looks, you can now merge the Fill Layer with the background layer. Or, you can leave it as-is. Because it is merely an adjustment layer - and not a copy of the image - it doesn't increase the size of the image.

Do You Prefer Pantone Colors ?

If you like well-known colors such as Pantone, click on Color Libraries and choose one, whose name you can remember for the future. Photoshop gives you several libraries of colors, but you can always change them. Colors can be adjusted and specified in a number of ways: RGB, HSB, etc. You can also save a color to the Photoshop palette, and use it later. It's probably best to use a soft color at first. You can always undo, and try again.

Photoshop Color Library Picker

Want Something Even Better ?


With selective toning, the warm shading peaks at 30% and decreases gradually.
The snow in this photograph looks almost white: a more natural rendering.

The Color Fill and Photo Filter methods are great but the toning is applied uniformly along the brightness scale. Read Selective Toning with Photoshop to see how we can increase and decrease toning at different locations along the brightness scale. For a similar method in GIMP, read Selective Toning in GIMP by Christopher Mark Perez.

16 Bit Workflow: No Banding

When we open an 8-bit grayscale image for editing, we start out with only 256 possible shades. That may sound like a lot of shades, but every time we adjust our image, we lose some of them.

When we convert to JPG format, we may lose some more shades. By the time we're done, some of our photos may have an unnatural "digitized" look, with gaps in the tonal scale. Some people call this banding. With color images, we get banding in each of the 3 color channels.

Why spend big money on equipment, only to lose quality every time we "adjust" an image?

Work in 16-bit mode if you can. You start out with 65,536 shades of grey. Even if you lose half of them, you still end up with a smooth image. In color, this is really 48-bit mode, since each of the Red, Green, and Blue channels gets 16 bits.

JPG and Quadtones: 8-bit Only 

JPG only supports 8-bit color. Photoshop Duotones, Tritones, and Quadtones only work in an 8-bit color space. Converting to Quadtones is a "destructive" adjustment. Converting to JPG - even at the highest quality - is a "destructive" adjustment.

The Fill Layer method works in 16-bit color space, as a layer. It's a non-destructive adjustment.

Before performing any adjustments, convert JPG files to 16-bit. Once the image is in 16-bits-per-channel, any adjustments will be less destructive, and you will introduce fewer gaps in the tonal range.

When you're all done, you can convert back to 8-bit if you have to. (If you're saving as a JPG image for the web, that down-sizing happens automatically.) Be sure to keep your 16-bit version, as your master file.